In November, poet Douglas Kearney with be collaborating with Terry Wolverton on dis•articulations poems.
Douglas Kearney’s third poetry collection, Patter (Red Hen Press, 2014) examines miscarriage, infertility, and parenthood and was a finalist for the California Book Award in Poetry. Cultural critic Greg Tate remarked that Kearney’s second book, National Poetry Series selection, The Black Automaton (Fence Books, 2009), “flows from a consideration of urban speech, negro spontaneity and book learning.” A collection of opera libretti—Someone Took They Tongues.—is forthcoming from Subito Press.Noemi Press will publish his collection of writing on poetics and performativity—Mess and Mess and—in late 2015. He has received a Whiting Writer’s Award, residencies/fellowships from Cave Canem, The Rauschenberg Foundation, and others. His work has appeared in a number of journals, including Poetry, nocturnes, Pleiades, Iowa Review, Boston Review, and Callaloo; and anthologies, including Best American Poetry, Best American Experimental Writing, Wide Awake, and What I Say: Innovative Poetry by Black Poets in America. Raised in Altadena, CA, he lives with his family in California’s Santa Clarita Valley. He teaches at CalArts.